fripperiesandfobs:

Worth tea gown ca. 1895

From the Musée Galliera

(via 1901-a-space-odyssey)

oldbookillustrations:

Industrial design — cranes flying over the waters.

 from Documents japonais (Japanese art documents), by Charles Gillot, Paris, 188?

(Source: archive.org)

oldbookillustrations:

Industrial design — cranes flying over the waters.

from Documents japonais (Japanese art documents), by Charles Gillot, Paris, 188?

(Source: archive.org)

fashioninfographics:

Women’s Hairstyles of the Byzantine Empire
Via

fashioninfographics:

Women’s Hairstyles of the Byzantine Empire

Via

(via ordre-et-beaute)

cimetiere-chanson:

Alexandra of Wales, Olga of Greece and Marie Feodorovna

cimetiere-chanson:

Alexandra of Wales, Olga of Greece and Marie Feodorovna

(Source: antique-royals, via 1901-a-space-odyssey)

edwardian-time-machine:

Source

edwardian-time-machine:

Source

(via 1901-a-space-odyssey)

mudwerks:

(via SICILY. Syracuse. Time of Dionysius I (405-367 BC). AR decadrachm | LotID #14002 | Heritage Auctions)

SICILY. Syracuse. Time of Dionysius I (405-367 BC). AR decadrachm (33mm, 43.30 gm, 6h).  Struck ca. 400-390 BC. Unsigned dies in the style of Euainetos. Charioteer, in flowing chiton and holding goad and reins, driving racing quadriga left; above, Nike flying right, about to crown charioteer with wreath; in exergue, panoply of arms: cuirass between two greaves, with Phrygian helmet to right; all within a border of dots / Head of Arethusa left, wearing wreath of reeds, triple-pendant earring, and necklace; ΣΥ-Ρ-Α-Κ-ΟΣΙΩΝ above, pellet below chin, four dolphins swimming around…

books0977:

A Young Lady with a Parrot (c.1730). Rosalba Carriera (Italian, 1675-1757). Pastel on blue laid paper, mounted to laminated paperboard. Art Institute of Chicago.
One of the few renowned women artists of her time, the Venetian Carriera popularized the pastel portrait. In Young Lady with a Parrot, silks, ribbons, pearls, lace, flowers, hair, and flesh are defined with lightness and dexterity. The vivacious portrait of a young woman, with her porcelain-like face, cascade of golden curls, and full bosom (revealed by the parrot), exemplifies the flattering portraiture and technical mastery that brought Carriera international fame.

books0977:

A Young Lady with a Parrot (c.1730). Rosalba Carriera (Italian, 1675-1757). Pastel on blue laid paper, mounted to laminated paperboard. Art Institute of Chicago.

One of the few renowned women artists of her time, the Venetian Carriera popularized the pastel portrait. In Young Lady with a Parrot, silks, ribbons, pearls, lace, flowers, hair, and flesh are defined with lightness and dexterity. The vivacious portrait of a young woman, with her porcelain-like face, cascade of golden curls, and full bosom (revealed by the parrot), exemplifies the flattering portraiture and technical mastery that brought Carriera international fame.

(via emilyclocke)

lillalucis:

Ninfe e Satiri 
Adolphe Bouguereau

lillalucis:

Ninfe e Satiri

Adolphe Bouguereau

(via largerloves)

labellefilleart:

Grace Rose, Anthony Frederick Sandys

labellefilleart:

Grace Rose, Anthony Frederick Sandys

(via largerloves)

University of California, Berkeley c. 1914

lilacsinthedooryard:

Edward Burne-Jones
The Wedding of Psyche
1895
ros_with_a_princeflickr

lilacsinthedooryard:

Edward Burne-Jones

The Wedding of Psyche

1895

ros_with_a_princeflickr

(via waitingforreasons)

books0977:

Perdita (c.1866). Frederick Sandys (English, Pre-Raphaelite, 1829–1904). Oil on panel. Collection of Lord Andrew Lloyd Webber.
I think you have As little skill to fear as I have purposeTo put you to’t. But come; our dance, I pray: Your hand, my Perdita: so turtles pair, That never mean to part.Florizel, Winter’s Tale, Act IV, Scene 4.

books0977:

Perdita (c.1866). Frederick Sandys (English, Pre-Raphaelite, 1829–1904). Oil on panel. Collection of Lord Andrew Lloyd Webber.

I think you have 
As little skill to fear as I have purpose
To put you to’t. But come; our dance, I pray: 
Your hand, my Perdita: so turtles pair, 
That never mean to part.
Florizel, Winter’s Tale, Act IV, Scene 4.

(via dbmurphy)

superbestiario:

True Romance: The Heartache of Wartime Farewells, April 1943 by Alfred Eisenstaedt at the height of the Second World War.

(via deplorate)

composersdoingnormalshit:

Alexander Scriabin having a picnic with his wife.

composersdoingnormalshit:

Alexander Scriabin having a picnic with his wife.

(via farewell-to-russia)

(Source: crystal-fur-vault, via 1901-a-space-odyssey)